Radiohead - Pablo Honey POLL

lmao at the idea of discussing this record in a vacuum

*steps into vacuum*

Yep, the lyrics on this album are still really bad in here

it's true!

I'd like to think that we're now at a point in time that people have calmed their tits regarding this band to the point where we can now discuss this record not for what it isn't but for what it is.

In hindsight, perhaps this was asking too much. Nobody is demanding you discuss this record in a vacuum, Brad, the point is that this record shouldn't be unfairly penalised as consequence of the records the band made after it. I agree that the production could have been a great deal better - this was touched upon above.

the only reason anyone is even thinking about this record in the 2k19 is because of the subsequent records the band made

Ripcord is a lot better than Creep duh
although Bones is better than Ripcord
https://www.youtube.com/watch?v=6VRVOklCd2Y

"Creep" was much bigger than most buzz clips of its era and its corresponding album would probably be remembered as well as Lemonheads or Dinosaur Jr records from around the same time.

had they broken up after Pablo Honey

Yes, this is a take that I often hear: "it's a good record, but we wouldn't be talking about Radiohead now if it had been the only record the band had made", and it's a bit of a nonsense statement really, because we have absolutely no way of knowing that. Certainly, if their post-Pablo Honey work had never existed then nobody would be able to draw comparisons between this record and what came after, but this record would still exist and I'm fairly confident it would have been rediscovered by now if that had been the case.

Also, billstevejim OTM. Not only do I definitely prefer 'Ripcord' to 'Creep', but I'm also unconvinced that this record would have been forgotten about.

They would be about as renowned as Belly

Terrible cover too.

― John Harris is a Guardian columnist (Tom D.), Tuesday, June 4, 2019 2:50 PM (forty-nine minutes ago) Bookmark Flag Post Permalink

Oh yeah, peak/nadir 90s graphic design

― Simon H., Tuesday, June 4, 2019 2:54 PM (forty-five minutes ago) Bookmark Flag Post Permalink

every baby cover needs whiney's frank sobotka remix

For example it was the 2nd biggest song of the year on KROQ. A lot of people bought the album. Records like that don't just disappear.
http://www.radiohitlist.com/KROQ/KROQ-1993.htm

They would be about as renowned as Belly

― i will never make a typo ever again (Karl Malone), Tuesday, June 4, 2019 10:50 PM (two minutes ago) Bookmark Flag Post Permalink

Possibly. There are far worse bands to be compared to, and in any case it wouldn't be an issue because we never would have known their subsequent work.

For example it was the 2nd biggest song of the year on KROQ. A lot of people bought the album. Records like that don't just disappear.

― billstevejim, Tuesday, June 4, 2019 10:53 PM (two minutes ago) Bookmark Flag Post Permalink

Exactly!

As said above, the production and mix is another problem - to me, its weirdly jarring and murky at the same time. Like, turn it up and it starts to grate, but turn it down and it's just dull.

I think what you actually mean is that you can detect some of the artists that Radiohead were influenced by at this stage of this existence

You're implying that the band don't have any distinguishing features of their own at this stage

And for the record: "I find X boring" or "X doesn't move me" are the *only* valid criticisms of any work of art, as opposed to "this is flawlessly written and immaculately produced", or as in this case, "a band that even at this stage were better musicians and had more talent than many in the oversaturated world of '90s alternative rock" - that's a Patrick Batemanesque parody of music criticism. (But to be fair you've explained above at a number of occasions which particular elements of which particular songs move you in what ways and that's all anyone can ask for. 'The burden of proof' is then indeed on others to describe as precisely why they *don't* like something, although that can be a lot harder.)

Most of the songs go into this 'rock jam' mode toward the end

Hmm. What you've described is something I consider to be a feature of this record rather than a bug, particularly in the case of 'Blow Out'!

When Yorke whines "I'm better off dead" on "Prove Yourself" there is no doubt this is Radiohead. It's also hilariously awful, maudlin teen angst to the point of satire. I don't buy it and it doesn't move me.

Yorke was still in his early 20's when this record was released, and that particular song may very well have been kicking around for a while before it was recorded. Anyway, this is an alternative rock record from 1993, you really shouldn't be surprised to find that teenagers were its target audience - once you get beyond a certain age, you're not meant to "buy it" and it's not meant to move you, but that's not the fault of the record. Personally, I don't relate to the lyrics of 'Prove Yourself' at all in 2019 - my fondness for the song is strictly musical - but I find it difficult to hold its lyrics against it when there quite possibly has been someone, somewhere at one point who was the right age for the song lyrically who did relate to it. Also, even though I'm long distanced from my teenage years, I haven't forgotten what they were like.

TS: Pablo Honey vs. Bush’s Sixteen Stone

(I was 20 when this album came out. I had spent the entire year before listening to the Seattle version of teen angst, and most of my actual teens dancing my legs down to the knees to The Smiths. I was definitely its target audience. But even within that context, or maybe particularly within that context, I thought it was a weak record and it fell flat.)

Aha. In that case, I think what you meant to say was back in your teens/early 20's, you thought the likes of Kurt Cobain "meant it", and you thought that since Radiohead were relative alternative rock latecomers that Thom Yorke didn't "mean it", for want of a better phrase. The only person who could tell you whether the sentiments in 'Prove Yourself' were genuine or not is Thom Yorke himself, and since he's gone on record as stating that pre-Kid A he tended to use his songwriting as a way of dealing with various emotional issues etc. I'm likely to think that, at the point he wrote those songs, he "meant it" ...

I've made similar errors in the past. For example, when Linkin Park first appeared I thought that Chester Bennington didn't mean it or wasn't genuine. Can't argue that I was wrong about that one.

let me guess - no, that's not what they meant to say

Not at all.

side poll:

which is better, pablo honey, or this video clip

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— FOX 10 Phoenix (@FOX10Phoenix) June 4, 2019

Not much of a contest.

Ah yes, typical behaviour for ILM.

having a pretty good time syncing up "ripcord" to that video

that would be by far their best pablo honey-era video!

honestly i think it pairs better with "blow out", especially if the instrumental breakdown is synced with the part where puke starts flying

Ah yes, typical behaviour for ILM.

― Le Baton Rose (Turrican), Wednesday, 5 June 2019 02:15 (eight minutes ago) Bookmark Flag Post Permalink

Ha! Well, yeah... that I couldn't possibly argue. The video to 'Pop is Dead' being some kind of nadir on that front.

(xx-post)

lmao thank god it's on vimeo https://vimeo.com/193801646

someone make a poll out of this video

Christ. I mean, where would you begin? The whole thing is a front-to-back embarrassment. I'd be willing to bet that Thom Yorke is far, far, far more embarrassed of that video than any song on this album.

somehow jonny manages to look really cool in that video. he is a machine

It’s blowing my mind how the “pop is dead” band went to make an album like OKC 4 years later.

I would like you all to know that Thom scripted every frame of that video himself. Storyboards and everything.

At first, they were really just making the videos they wanted to make. “Pop Is Dead” is literally a treatment that Thom wrote, down to every frame—we had the entire Radiohead fan club carrying him across the Oxford Downs in a glass coffin. I was doing a terrible job, but I wasn’t really concerned because we would just go off and make something. In the early ’90s, we probably thought those videos were all right, but looking back at them now, we all just want to die."

https://pitchfork.com/features/ok-computer-at-20/10036-this-is-what-you-get-an-oral-history-of-radioheads-karma-police-video/

"Stupid Car" is probably my favorite track of early-days Radiohead, at this point.

is there even a b side to this

I think what you mean to say is...

In the defence of Pop is Dead (said no one over), I think it has some cool guitar work by Jonny in it; a couple of riffs that almost sound proto-the-end-bit-of-Paranoid Anroid.

I've never thought about it that way before, but I very much hear what you're talking about. I think Greenwood's guitar playing is always worth listening to (I feel the same way about his brother's bass playing) but most of all I enjoy hearing how the three guitarists play off each other, and there's plenty of that in evidence on this album.

as overplayed as it is, Creep is really a good song!

Without going back and listening to this again, I'm going with my 1993 assessmen:
Creep is totally buzz bin worthy. The rest is somewhere between boring and actively bad (I'm remember being particularly annoyed by "anyone can play guitar").
I had lots of albums back then where I only really enjoyed one song (blind melon, spacehog, neds atomic dustbin), and this was one of them.

It sucks that your 1993 self somehow managed to overlook 'You', 'Stop Whispering', 'Ripcord', 'Lurgee' and 'Blow Out' ... perhaps you should give it another try!

Been thinking about you, your records are here
Your eyes are on my wall, your teeth are over there
But I'm still no one, and you're now a star
What do you care?
Been thinking about you, and there's no rest
Should I still love you, still see you in bed
But I'm playing with myself?
What do you care when the other men are far, far better?

thom doesn't sing that question mark

i never really got the jeff buckley comparison with thom. i've also never listened to this album which opens with a jeff buckley song, complete with the word 'fire' sung in a sexy growl and helium jim morrison screams

I've just realised that 'Vegetable' does a similar trick to 'Everything In Its Right Place' meter-wise: 1 x 4/4 + 1 x 2/4 + 1 x 4/4 = 10 beats.

they dedicated the bends to jeff iirc xp

I'm indifferent to a lot of this record these days, but I still enjoy the three-song stretch of "How Do You"/"Stop Whispering"/"Thinking About You" way more than anything the band has done post-Kid A.

― Herman Woke (cryptosicko), Monday, June 3, 2019 5:55 PM (two days ago) Bookmark Flag Post Permalink

i love post-kid A radiohead but agree that this three-song stretch is best. i'm voting for "stop whispering" because it is a good mumbled cover of Authority Song.

(yeah, we all know that John Mellencamp made other albums before this)

https://www.youtube.com/watch?v=YwVQRx1IGac

How 'bout this one? My mate and I would always do the "uhm. this is a song called...this is a song called Yes I Am" in a Thom Yorke voice before we practiced playing basically any song together.

realized the closest analogue to the REM-backed alt-Mellencamp of 'Stop Whispering' is any Clap Your Hands Say Yeah song, and that means that any Clap Your Hands Say Yeah song is my vote for best song on Pablo Honey

Nah, I disagree. 'Stop Whispering' is a good song that people have often falsely believed is shite, whereas Clap Your Hands Say Yeah are legitimately shite and always were.