Wherein We Elect Our Favourite Classical Compositions of… the 1850s

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You dislike his austere & mournful late works?

pomenitul, Monday, 9 December 2019 19:42 (four years ago) link

(Unless you were specifically referring to From the Cradle to the Grave).

pomenitul, Monday, 9 December 2019 19:44 (four years ago) link

wasn't very clear there -- there's a lot by him i've never heard, i like faust much more than whatever else i have heard

(and mostly heard a long time ago, so my mind is probably very changeable these days on stuff i disliked in my 20s)

mark s, Monday, 9 December 2019 19:48 (four years ago) link

Then I hope you'll give him a second chance once we reach the 1880s.

pomenitul, Monday, 9 December 2019 19:51 (four years ago) link

i'll make a liszt list encompassing all his eras once we get to the 1880s and try to keep it short

valet doberman (Jon not Jon), Monday, 9 December 2019 20:51 (four years ago) link

So Liszt's very first published work was *his* variation on that theme of Diabelli's. Interesting.

I'm enjoying spending quality time with his solo piano works, not least Harmonies poétiques et religieuses. I think the only Liszt I'd have previously said I know 'well' amounted to a few discs of tone poems, etc. (Shocking confession #647959)

Nag! Nag! Nag!, Tuesday, 10 December 2019 07:15 (four years ago) link

Harmonies Poetiques is an awesome cycle. The benediction gets all the air time but pensees des morts is probably the highlight. I love the opening invocation as well. Brendel did not record the whole cycle but he did most of it and that’s probably my favorite recording of these pieces. Along with a late (1980s) Richter performance of pensees des morts which I assume is in print somewhere.

valet doberman (Jon not Jon), Tuesday, 10 December 2019 12:09 (four years ago) link

Don't forget Funérailles! I love them all, though, including his rewriting of Allegri's Miserere.

pomenitul, Tuesday, 10 December 2019 12:11 (four years ago) link

(adding: my youthful stance on liszt may well have been coloured by roger daltrey's portrayal of same, and the fact that i encountered said portrayal in a seaside cinema WITH MY PARENTS AND SISTER)

mark s, Tuesday, 10 December 2019 13:40 (four years ago) link

It is understandable, roger daltrey is gross

valet doberman (Jon not Jon), Tuesday, 10 December 2019 13:44 (four years ago) link

I haven't seen said film but was made aware of its inflammatory reputation at a young age, and it rubbed off on the conception I developed of its subject, whose music I subsequently discovered through the 1st Piano Concerto and its more flagrant bravura passages (I knew nothing of cyclical form at the time). Then I came across Nuages gris, La lugubre gondola, Unstern! Sinistre, disastro and RW – Venezia, all of which sounded like sealed-off mausoleums, to be reverberated into nothingness, completely overturning my vitalist understanding of his music in the process.

pomenitul, Tuesday, 10 December 2019 13:55 (four years ago) link

Automatic thread bump. This poll is closing tomorrow.

System, Wednesday, 11 December 2019 00:01 (four years ago) link

Automatic thread bump. This poll's results are now in.

System, Thursday, 12 December 2019 00:01 (four years ago) link

I suppose the turnout was to be expected. I wonder who voted for Brahms's 1st Piano Trio? Good piece, that.

pomenitul, Thursday, 12 December 2019 08:51 (four years ago) link

That Brahms trio and the Brahms first concerto are both totally plausible choices

valet doberman (Jon not Jon), Thursday, 12 December 2019 13:13 (four years ago) link

His third piano sonata kicks ass too, a young man’s Hammerklavier sonata of sorts

valet doberman (Jon not Jon), Thursday, 12 December 2019 13:14 (four years ago) link


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