I think Days of Heaven was gone for a month...it's not available right now. That happens a fair amount...Blood Simple was coming and going constantly. It's back now but I don't know if it's part of the permanent collection or not.
― Motoroller Scampotron (WmC), Saturday, 27 March 2021 04:00 (three years ago) link
lol I still mix up BOB LE FLAMBEUR and PIERROT LE FOU, I have seen neither and have no idea what either one of them are about but every time I see either of them I'm like "oh yeah that one Godard film"
I saw a screening of BAD GIRLS GO TO HELL a few years ago and it is... rough
― Warmed Regards, (Stevie D(eux)), Saturday, 27 March 2021 21:13 (three years ago) link
Waiting for the WKW sh1t to be ripped and shared
― calstars, Saturday, 27 March 2021 21:44 (three years ago) link
How Green Was My Valley is necessary to show to anyone that dismisses John Ford or doesn't like Westerns--it's probably one of the most visually moving and evocative "memory pieces" I've ever seen. Don't watch it if you don't like Irish people
― flappy bird, Sunday, 28 March 2021 05:28 (three years ago) link
Sergeant Rutledge, fwiw, is a better liberal race 1960s movie than, for example, Guess Who's Coming to Dinner
― flappy bird, Sunday, 28 March 2021 05:29 (three years ago) link
Got a line on 2046, 24 gig rip
― calstars, Sunday, 28 March 2021 17:05 (three years ago) link
Been watching some films with Morricone scores this past week -- Big Gundown, Machine Gun McCain, Bird w/the Crystal Plumage. McCain was the least of the films for sure.
― Motoroller Scampotron (WmC), Tuesday, 6 April 2021 02:20 (three years ago) link
May 2021 titles:
Along for the Ride, Nick Ebeling, 2016Bad Day at Black Rock, John Sturges, 1955**The Backseat, Joe Stankus and Ashley Connor, 2017The Blot, Lois Weber, 1921The Blue Dahlia, George Marshall, 1946The Booksellers, D. W. Young, 2019Butter on the Latch, Josephine Decker, 2013The Cat o’ Nine Tails, Dario Argento, 1971The Chess Players, Satyajit Ray, 1977The Cigarette, Claire Parker and Alexandre Alexeieff, 1933 Cowboy, Delmer Daves, 1958Crossfire, Edward Dmytryk, 1947Dance, Girl, Dance, Dorothy Arzner, 1940Darling, How Could You!, Mitchell Leisen, 1951Day of Freedom, Leni Riefenstahl, 1935Death Takes a Holiday, Mitchell Leisen, 1934Dina, Dan Sickles, Antonio Santini, 2017Discontent, Lois Weber and Allen G. Siegler, 1916The Dumb Girl of Portici, Lois Weber, 1916Easy Living, Mitchell Leisen, 1937The Erl King, Marie-Louise Iribe, 1931Escapes, Michael Almereyda, 2017The Fall, Jonathan Glazer, 2019Falling Leaves, Alice Guy Blaché, 1912The Fate of Lee Khan, King Hu, 1973Fire Will Come, Oliver Laxe, 2019**First Day Out, Josephine Decker, 2016Flames, Zefrey Throwell, Josephine Decker and Zefrey Throwell, 2017Girlfriends, Claudia Weill, 1978The Girl in the Armchair, Alice Guy-Blaché, 1912Gloria, John Cassavetes, 1980The Green-Eyed Blonde, Bernard Girard, 1957He Ran All the Way, John Berry, 1951The Heart of the World, Guy Maddin, 2000Hooligan Sparrow, Nanfu Wang, 2016The Hot Rock, Peter Yates, 1972The House Is Black, Forough Farrokhzad, 1962King Rat, Bryan Forbes, 1965Kitty, Mitchell Leisen, 1945Kitty Foyle, Sam Wood, 1940**The Last Detail, Hal Ashby, 1973The Last Emperor, Bernardo Bertolucci, 1987The Last Movie, Dennis Hopper, 1971The Last Sunset, Robert Aldrich, 1961Lilith, Robert Rossen, 1964Lonely Are the Brave, David Miller, 1962Mabel’s Strange Predicament, Mabel Normand, 1914Making an American Citizen, Alice Guy-Blaché, 1912Mala mala, Dan Sickles, Antonio Santini, 2014The Man in the Gray Flannel Suit, Nunnally Johnson, 1956MASH, Robert Altman, 1970The Mask Task, Josephine Decker, 2018Me the Terrible, Josephine Decker, 2012The Men, Fred Zinnemann, 1950Midnight, Mitchell Leisen, 1939Minnie and Moskowitz, John Cassavetes, 1971Miss Dundee and Her Performing Dogs, Alice Guy-Blaché, 1902Murder at the Vanities, Mitchell Leisen, 1934A Night on Bald Mountain, Claire Parker and Alexandre Alexeieff, 1933 No Man of Her Own, Mitchell Leisen, 1950Odds Against Tomorrow, Robert Wise, 1959On Dangerous Ground, Nicholas Ray, 1951On the Barricade, Alice Guy-Blaché, 1907Our Vines Have Tender Grapes, Roy Rowland, 1945Parabola, Mary Ellen Bute and Ted Nemeth, 1937Patton, Franklin J. Schaffner, 1969The Peasant Women of Ryazan, Olga Preobrazhenskaya and Ivan Pravov, 1927A Pistol for Ringo, Duccio Tessari, 1965Property Is No Longer a Theft, Elio Petri, 1973The Razor’s Edge, Edmund Goulding, 1946Rebecca of Sunnybrook Farm, Allan Dwan, 1938Remember the Night, Mitchell Leisen, 1940The Return of Ringo, Duccio Tessari, 1965Roman Holiday, William Wyler, 1953**The Set-Up, Robert Wise, 1949Shoes, Lois Weber, 1916Skinningrove, Michael Almereyda, 2013The Smiling Madame Beudet, Germaine Dulac, 1923Spartacus, Stanley Kubrick, 1960Spook Sport, Mary Ellen Bute, Norman McLaren, Ted Nemeth, 1940Squeezebox, Josephine Decker, 2010The Star Prince, Madeline Brandeis, 1918A Story Well Spun, Alice Guy-Blaché, 1906Suspense, Lois Weber and Phillips Smalley, 1913Tempest, Paul Mazursky, 1982The Thing, John Carpenter, 1982Thirty Seconds over Tokyo, Mervyn LeRoy, 1944Thou Wast Mild and Lovely, Josephine Decker, 2014To Each His Own, Mitchell Leisen, 1946To the Unknown, Michael Almereyda, 2017Tricheurs, Barbet Schroeder, 1984Welcome Home, Soldier Boys, Richard Compton, 1971What Happened Was . . . , Tom Noonan, 1994What Have You Done to Solange?, Massimo Dallamano, 1972Wild Combination: A Portrait of Arthur Russell, Matt Wolf, 2008The Wild Bunch, Sam Peckinpah, 1969William Eggleston in the Real World, Michael Almereyda, 2005The Woman Condemned, Dorothy Davenport, 1934Wolf, Mike Nichols, 1994
― In my house are many Manchins (WmC), Saturday, 24 April 2021 01:55 (three years ago) link
Girlfriends is GREAT
― flappy bird, Saturday, 24 April 2021 03:55 (three years ago) link
Anyone seen the William eggleston one?
― calstars, Saturday, 24 April 2021 11:40 (three years ago) link
Minnie and Moskowitz is pretty rare on streaming, right? Glad people will have a chance to check it out. Should have a higher profile among his works imo.
― Chris L, Saturday, 24 April 2021 12:22 (three years ago) link
It’s the only major Cassavetes that I’ve never been able to see, so I’m pretty excited about this.
― edited for dog profanity (cryptosicko), Saturday, 24 April 2021 13:14 (three years ago) link
The two "Ringo" westerns by Duccio Tessari are quite good and seldom seen here (both were extremely popular in Italy)
― Josefa, Saturday, 24 April 2021 15:14 (three years ago) link
Something I still remember: an interview with Janet Maslin where she said she thought Nicholson was great for the first half-hour of Wolf.
Interviewer: "What happened then?"Maslin: "He turned into a wolf."
I remember it as being pretty good.
― clemenza, Sunday, 25 April 2021 00:04 (three years ago) link
I remember the scene where he pees on James Spader (iirc) to be pretty great.
― Josh in Chicago, Sunday, 25 April 2021 00:28 (three years ago) link
The only thing I remember about that movie is a gag involving Nicholson's, er, keen sense of smell.
― edited for dog profanity (cryptosicko), Sunday, 25 April 2021 03:25 (three years ago) link
The Hot Rock is so good
― ian, Saturday, 15 May 2021 02:11 (two years ago) link
It's striking that Peter Yates made that movie back to back with The Friends of Eddie Coyle--such different approaches to "the crime movie," both done so well.
― flappy bird, Saturday, 15 May 2021 04:16 (two years ago) link
― Working in the POLL Mine (James Redd and the Blecchs), Saturday, 15 May 2021 04:21 (two years ago) link
I really liked Max Ophuls' Caught the other night. Billed as a noir, it's really somewhere between psychological thriller and a melodramatic "woman's picture."
― Three Rings for the Elven Bishop (Dan Peterson), Saturday, 15 May 2021 13:34 (two years ago) link
The book is fun, but a little *too* light. I didn't know there was a movie - conceivably it might be much better than the book. Robert Redford and George Segal? Definitely sold.
― Chuck_Tatum, Saturday, 15 May 2021 16:31 (two years ago) link
(The book of The Hot Rock.)
I've never synched with Eddie Coyle, found it drab and miserable - which obviously, it is, on purpose! - but Mitchum's such a hopeless shmuck from start to finish, it's hard to feel much for the ending. (I may need to rewatch.)
― Chuck_Tatum, Saturday, 15 May 2021 16:36 (two years ago) link
Yeah you do
― Clara Lemlich stan account (silby), Saturday, 15 May 2021 17:23 (two years ago) link
xp Had a similar feeling, tbh. Though I respect the movie on its merits.
― Nhex, Saturday, 15 May 2021 18:14 (two years ago) link
Some stan for the book of Eddie Coyle but I had similar problems with it.
― Working in the POLL Mine (James Redd and the Blecchs), Saturday, 15 May 2021 18:28 (two years ago) link
Two great flavors of crime film... I do prefer Eddie Coyle's pessimistic/realistic outlook... obviously can see Mitchum coming off like an asshole in *any* movie but I love the old bastard in this one especially--ugh, that hockey game! Played beautifully. Not a bad way to die, either.
― flappy bird, Sunday, 16 May 2021 00:41 (two years ago) link
June 2021 titles:
Blackmendream, Shikeith, 201412 Angry Men, Sidney Lumet, 1957About Tap, George T. Nierenberg, 1985The AIDS Show, Peter Adair and Rob Epstein, 1986The Assignation, Curtis Harrington, 1953Aya of Yop City, Marguerite Abouet and Clément Oubrerie, 2013**Bells Are Ringing, Vincente Minnelli, 1960Beyond the Valley of the Dolls, Russ Meyer, 1970The Blood of a Poet, Jean Cocteau, 1930BPM (Beats Per Minute), Robin Campillo, 2017A Cat in Paris, Alain Gagnol and Jean-Loup Felicioli, 2010**The Celluloid Closet, Rob Epstein and Jeffrey Friedman, 1995Christ Stopped at Eboli, Francesco Rosi, 1979Clash By Night, Fritz Lang, 1952The Class, Laurent Cantet, 2008**Common Threads: Stories from the Quilt, Rob Epstein and Jeffrey Friedman, 1989Cruising, William Friedkin, 1980Daddy and the Muscle Academy, Ilppo Pohjola, 1991Dos monjes, Juan Bustillo Oro, 1934Downpour, Bahram Beyzai, 1972The Fall of the House of Usher, Curtis Harrington, 1942Female Trouble, John Waters, 1974The Four Elements, Curtis Harrington, 1966Fragment of Seeking, Curtis Harrington, 1947Francisca, Manoel de Oliveira, 1981Freak Orlando, Ulrike Ottinger, 1981Full of Life, Richard Quine, 1956Funeral Parade of Roses, Toshio Matsumoto, 1969Greaser’s Palace, Robert Downey Sr., 1972Gypsy 83, Todd Stephens, 2001Hands Across the Table, Mitchell Leisen, 1935Heidi, Allan Dwan, 1937His Kind of Woman, John Farrow, 1951Howl, Rob Epstein, Jeffrey Friedman, 2010In Name Only, John Cromwell, 1939Incoherence, Bong Joon-ho, 1994It Should Happen to You, George Cukor, 1954Macao, Josef von Sternberg, 1952Mädchen in Uniform, Leontine Sagan and Carl Froelich, 1931The Mark of Zorro, Rouben Mamoulian, 1940The Marrying Kind, George Cukor, 1952Men in War, Anthony Mann, 1957The Middleman, Shira Geffen and Etgar Keret, 2020Mr. & Mrs. Smith, Alfred Hitchcock, 1941My Man Godfrey, Gregory La Cava, 1936No Man of Her Own, Mitchell Leisen, 1950No Maps on My Taps, George T. Nierenberg, 1979Nothing Sacred, William A. Wellman, 1937O Fantasma, João Pedro Rodrigues, 2000 Olivia, Jacqueline Audry, 1951 On the Edge, Curtis Harrington, 1949The Ox-Bow Incident, William A. Wellman, 1943Paragraph 175, Rob Epstein and Jeffrey Friedman, 2000Personal Best, Robert Towne, 1982Phffft, Mark Robson, 1954Picnic, Curtis Harrington, 1949Pink Flamingos, John Waters, 1972Poison, Todd Haynes, 1991The Queen, Frank Simon, 1968The Revolt of Mamie Stover, Raoul Walsh, 1956Rosetta, Luc Dardenne and Jean-Pierre Dardenne, 1999Safe, Todd Haynes, 1995 Say Amen, Somebody, George T. Nierenberg, 1982Scanners, David Cronenberg, 1981The Solid Gold Cadillac, Richard Quine, 1956Spoor, Agnieszka Holland, 2017Sylvia Scarlett, George Cukor, 1935Tales of the Night, Michel Ocelot, 2011**Testament of Orpheus, Jean Cocteau, 1959Tom of Finland, Dome Karukoski, 2017Topsy-Turvy, Mike Leigh, 1999True Confession, Wesley Ruggles, 1937Usher, Curtis Harrington, 2000Vigil in the Night, George Stevens, 1940Virtue, Edward Buzzell, 1932Western, Valeska Grisebach, 2017We Will Always Be Here, Monique Walton, 2013Where Are We? Our Trip Through America, Rob Epstein and Jeffrey Friedman, 1992Word Is Out: Stories of Some of Our Lives, Mariposa Film Group, 1977The Wormwood Star, Curtis Harrington, 1956
― In my house are many Manchins (WmC), Monday, 24 May 2021 18:52 (two years ago) link
That is one rainbow flag of a month right there.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 24 May 2021 19:35 (two years ago) link
Very Carole Lombard heavy, very good! Kind of surprised by the inclusion of von Sternberg's Macao-- is that any good? Can anyone attest to post-Dietrich von Sternberg films?
― flappy bird, Tuesday, 25 May 2021 01:25 (two years ago) link
Macao is meh.
― edited for dog profanity (cryptosicko), Tuesday, 25 May 2021 01:36 (two years ago) link
Macao is fun!
― Its big ball chunky time (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, 25 May 2021 03:34 (two years ago) link
lol how many times can I watch Topsy-Turvy in a row? A lot probably.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Tuesday, 25 May 2021 03:41 (two years ago) link
https://www.youtube.com/watch?v=5ZtbCOpx8Sk
― Blue Yoda No. 9 (James Redd and the Blecchs), Tuesday, 25 May 2021 12:02 (two years ago) link
Challops perhaps: I can watch a few "Von" Sternberg films but as he got more sophisticated the rhythms get too attenuated for what's in essence schlock.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Tuesday, 25 May 2021 12:08 (two years ago) link
Macao not even fully Von Sternberg, right? Nicholas Ray finished it off, though it's more Sternberg in sensibility for sure.
I think of it as more of a Mitchum star vehicle than anything tho.
― Daniel_Rf, Tuesday, 25 May 2021 12:20 (two years ago) link
Okay, fine if you want to take away his "von," but then do we still have to call you "Lord"?
― Blue Yoda No. 9 (James Redd and the Blecchs), Tuesday, 25 May 2021 13:39 (two years ago) link
EVERYONE WATCH FUNERAL PARADE OF ROSES THIS VERY MINUTE
― Warmed Regards, (Stevie D(eux)), Tuesday, 1 June 2021 12:00 (two years ago) link
Also on Mubi.
― wasdnuos (abanana), Tuesday, 1 June 2021 12:51 (two years ago) link
I highly recommend The Celluloid Closet.
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Tuesday, 1 June 2021 13:13 (two years ago) link
Figure this is as good a place to try to drum up a few more cinephile ballots: ILX All-Time Film and Morbsies Poll: Voting And Campaigning Thread (Ballots Due Like I Dunno Maybe March 1, 2021?)
(Accepting ballots for a few more days.)
― i carry the torch for disco inauthenticity (Eric H.), Tuesday, 1 June 2021 13:26 (two years ago) link
Very happy to see a rare Ulrike Ottinger film streaming this month! And the Curtis Harrington stuff too. Peachy.
― lilcraigyboi (Craigo Boingo), Thursday, 10 June 2021 22:00 (two years ago) link
July 2021 titles:
2046, Wong Kar Wai, 2004Across 110th Street, Barry Shear, 1972Alice, Jan Švankmajer, 1988Alois Nebel, Tomáš Luňák, 2011American Movie, Chris Smith, 1999Anatomy of a Murder, Otto Preminger, 1959Andrei Tarkovsky: A Cinema Prayer, Andrei Tarkovsky, 2019As Tears Go By, Wong Kar Wai, 1988Being There, Hal Ashby, 1979Belladonna of Sadness, Eiichi Yamamoto, 1973The Bedroom Window, Curtis Hanson, 1987Beyond the Visible – Hilma af Klint, Halina Dyrschka, 2019The Big Sleep, Michael Winner, 1978A Bigger Splash, Jack Hazan, 1973The Bingo Long Traveling All-Stars & Motor Kings, John Badham, 1976**Black Fury, Michael Curtiz, 1935The Black Power Mixtape 1967–1975, Göran Olsson, 2011Blow Out, Brian De Palma, 1981Body Double, Brian De Palma, 1984Body Heat, Lawrence Kasdan, 1981Bombay, Mani Ratnam, 1995Born Yesterday, George Cukor, 1950Brick, Rian Johnson, 2005**Chico & Rita, Tono Errando, Fernando Trueba, and Javier Mariscal, 2010**Chinatown, Roman Polanski, 1974**Clockwatchers, Jill Sprecher, 1997Commandos Strike at Dawn, John Farrow, 1942Consuming Spirits, Chris Sullivan, 2012Cotton Comes to Harlem, Ossie Davis, 1970Cutter’s Way, Ivan Passer, 1981Days of Being Wild, Wong Kar Wai, 1990A Day on the Grand Canal with the Emperor of China, Philip Haas, 1988Delirious, Tom DiCillo, 2006Drums Along the Mohawk, John Ford, 1939Earth, Nikolaus Geyrhalter, 2019Ernest & Celestine, Stéphane Aubier, Vincent Patar, and Benjamin Renner, 2012**Eyes of Laura Mars, Irvin Kershner, 1978Farewell, My Lovely, Dick Richards, 1975Faust, Jan Švankmajer, 1994**Film, Alan Schneider, 1965The Girl Without Hands, Sébastien Laudenbach, 2016The Grand Bizarre, Jodie Mack, 2018The Hand, Wong Kar Wai, 2004Hedwig and the Angry Inch, John Cameron Mitchell, 2001Homo Sapiens, Nikolaus Geyrhalter, 2016Hoop Dreams, Steve James, Frederick Marx, and Peter Gilbert, 1994I Am a Fugitive from a Chain Gang, Mervyn LeRoy, 1932The Incident, Larry Peerce, 1967It’s Such a Beautiful Day, Don Hertzfeldt, 2012János vitéz, Marcell Jankovics, 1973Kannathil muthamittal (A Peck on the Cheek), Mani Ratnam, 2002The King of Pigs, Yeon Sang-ho, 2011Knock on Any Door, Nicholas Ray, 1949The Last Angry Man, Daniel Mann, 1959The Last Seduction, John Dahl, 1994The Life of Emile Zola, William Dieterle, 1937**Living in Oblivion, Tom DiCillo, 1995The Long Goodbye, Robert Altman, 1973Manhunter, Michael Mann, 1986Mary and Max, Adam Elliot, 2009Millennium Actress, Satoshi Kon, 2001Mind Game, Masaaki Yuasa, 2004Mr. Hobbs Takes a Vacation, Henry Koster, 1962Nayakan, Mani Ratnam, 1987Night Moves, Arthur Penn, 1975No. 7 Cherry Lane, Yonfan, 2019Nocturna, Adrià García, Víctor Maldonado, 2007Notfilm, Ross Lipman, 2015The Onion Field, Harold Becker, 1979Othello, Orson Welles, 1951Paprika, Satoshi Kon, 2006**The Painting, Jean-François Laguionie, 2011**Persepolis, Marjane Satrapi and Vincent Paronnaud, 2007**The Plague Dogs, Martin Rosen, 1982Practice, Iyabo Kwayana, 2017Preparations to Be Together for an Unknown Period of Time, Lili Horvát, 2020The Rabbi’s Cat, Joann Sfar and Antoine Delesvaux, 2011**Rocks in My Pockets, Signe Baumane, 2014**A Room with a View, James Ivory, 1985Scarface, Howard Hawks, 1932Slacker, Richard Linklater, 1990Son of the White Mare, Marcell Jankovics, 1981A Song to Remember, Charles Vidor, 1945The Story of Louis Pasteur, William Dieterle, 1936Suture, Scott McGehee and David Siegel, 1993Swimmer, Lynne Ramsay, 2012Swoon, Tom Kalin, 1992Tatsumi, Eric Khoo, 2011Tess, Roman Polanski, 1979Thelma & Louise, Ridley Scott, 1991This Magnificent Cake!, Emma De Swaef and Marc James Roels, 2018Too Late for Tears, Byron Haskin, 1949Tower, Keith Maitland, 2016A Town Called Panic, Stéphane Aubier and Vincent Patar, 2009**Trouble in Mind, Alan Rudolph, 1985Twentieth Century, Howard Hawks, 1934The Wanted 18, Paul Cowan and Amer Shomali, 2014**The Wolf House, Joaquin Cociña and Cristóbal León, 2018Waltz with Bashir, Ari Folman, 2008**You Will Die at Twenty, Amjad Abu Alala, 2019
― Profiles in Liquid Courage (WmC), Friday, 25 June 2021 02:39 (two years ago) link
Belladonna! Nice.
― Nhex, Sunday, 27 June 2021 04:59 (two years ago) link
August 2021 titles:
Abigail Harm, Lee Isaac Chung, 2012Across the Pacific, John Huston, 1942The African Queen, John Huston, 1951American Hunger, Ephraim Asili, 2013Amores perros, Alejandro G. Iñárritu, 2000Annie, John Huston, 1982The Asphalt Jungle, John Huston, 1950**Bestiaire, Denis Côté, 2012The Big Chill, Lawrence Kasdan, 1983Blessed Land, Pham Ngoc Lan, 2019Bombshell, Victor Fleming, 1933Boris Without Béatrice, Denis Côté, 2016Braguino, Clément Cogitore, 2017Buchanan Rides Alone, Budd Boetticher, 1958. . . But Then, She’s Betty Carter, Michelle Parkerson, 1980China Seas, Tay Garnett, 1935Comanche Station, Budd Boetticher, 1960Conceiving Ada, Lynn Hershman Leeson, 1997The Dead, John Huston, 1987Decision at Sundown, Budd Boetticher, 1957The Devil’s Harmony, Dylan Holmes Williams, 2019Dinner at Eight, George Cukor, 1933**Disintegration 93-96, Miko Revereza, 2017Distancing, Miko Revereza, 2019Dustin, Naïla Guiguet, 2020Duvidha, Mani Kaul, 1973The End of Suffering (A Proposal), Jacqueline Lentzou, 2020Fat City, John Huston, 1972Fluid Frontiers, Ephraim Asili, 2017Forged Ways, Ephraim Asili, 2010Freud, John Huston, 1962**The Girl from Missouri, Jack Conway, 1934Gloria Mundi, Nikos Papatakis, 1976Gotta Make This Journey: Sweet Honey in the Rock, Joseph Camp, 1983Heaven Knows, Mr. Allison, John Huston, 1957Hella Trees, Ayo Akingbade, 2020Hold Your Man, Sam Wood, 1933I Signed the Petition, Mahdi Fleifel, 2018The Inheritance, Ephraim Asili, 2020In This Our Life, John Huston, 1942Key Largo, John Huston, 1948Kindah, Ephraim Asili, 2016Kings of Pastry, Chris Hegedus and D. A. Pennebaker, 2009La piscine, Jacques Deray, 1969La revue des revues, Joe Francis, 1927Landscape Suicide, James Benning, 1987Les abysses, Nikos Papatakis, 1963Let There Be Light, John Huston, 1946Libeled Lady, Jack Conway, 1936Lizard, Akinola Davies, 2020Lore, Cate Shortland, 2012Louder Than Bombs, Joachim Trier, 2015Lucky Life, Lee Isaac Chung, 2010The Man Who Would Be King, John Huston, 1975Many Thousands Gone, Ephraim Asili, 2015The Marvelous Misadventures of the Stone Lady, Gabriel Abrantes, 2019Mizaru, Sudarshan Suresh, 2019Moby Dick, John Huston, 1956Moonstruck, Norman Jewison, 1987Moulin Rouge, John Huston, 1952Moving, Adinah Dancyger, 2019Munyurangabo, Lee Isaac Chung, 2007The Night of the Iguana, John Huston, 1964No Data Plan, Miko Revereza, 2019Odds nd Ends, Michelle Parkerson, 1993One Day Before the Rainy Season, Mani Kaul, 1971Our Daily Bread, Mani Kaul, 1969Personal Property, W.S. Van Dyke, 1937The Phantom of the Monastery, Fernando de Fuentes, 1934The Photograph, Nikos Papatakis, 1986Princesse Tam-Tam, Edmond T. Gréville, 1935Reckless, Victor Fleming, 1935Red Dust, Victor Fleming, 1932Red-Headed Woman, Jack Conway, 1932Reflections in a Golden Eye, John Huston, 1967Ride Lonesome, Budd Boetticher, 1959Riffraff, J. Walter Ruben, 1936Saratoga, Jack Conway, 1937The Secret of NIMH, Don Bluth, 1982Seven Men from Now, Budd Boetticher, 1956The Shooting, Monte Hellman, 1966Siren of the Tropics, Mario Nalpas, 1927The Spy Who Came in from the Cold, Martin Ritt, 1965Sticker, Georgi Unkovski, 2019Storme: The Lady of the Jewel Box, Michelle Parkerson, 1987Strange Culture, Lynn Hershman Leeson, 2007Suzy, George Fitzmaurice, 1936The Tall T, Budd Boetticher, 1957Teknolust, Lynn Hershman-Leeson, 2002The Sepherds of Calamity, Nikos Papatakis, 1967 Thelma, Joachim Trier, 2017Ticket of No Return, Ulrike Ottinger, 1979Time Bandits, Terry Gilliam, 1981To the Ends of the Earth, Kiyoshi Kurosawa, 2019Top Spin, Mina T. Son and Sara Newens, 2014Vic + Flo Saw a Bear, Denis Côté, 2013Walking a Tightrope, Nikos Papatakis, 1991A Walk with Love and Death, John Huston, 1969Wife vs. Secretary, Clarence Brown, 1936Women on the Verge of a Nervous Breakdown, Pedro Almodóvar, 1988**Youssou N’Dour: I Bring What I Love, Elizabeth Chai Vasarhelyi, 2008Zou Zou, Marc Allégret, 1934
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 19:54 (two years ago) link
i've had "fat city" on my "to-watch" list for a while
― na (NA), Monday, 26 July 2021 19:58 (two years ago) link
I almost went to B&N to buy La Piscine yesterday, glad I held off.
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 20:05 (two years ago) link
I'd really like to know why The Asphalt Jungle remains unairable in Canada (TCM never shows it here, even when it is on the US schedule). I've still never seen it.
― edited for dog profanity (cryptosicko), Monday, 26 July 2021 20:47 (two years ago) link
Huh, weird.
Is there a repository of knowledge somewhere to find out who owns home video and streaming rights to any particular film?
― Profiles in Liquid Courage (WmC), Monday, 26 July 2021 22:06 (two years ago) link
Secret of Nimh, ha, interesting
― Nhex, Monday, 26 July 2021 22:46 (two years ago) link