can't remember which Cahiers writer it was or if i'm conflating a bunch of things but "stagey tableaux of scenes from Balzac is bad cinema/bad Balzac" was an early NV manifesto point iirc
― feudal vague (Noodle Vague), Wednesday, 14 September 2022 10:01 (one year ago) link
Influence or inspiration (or just cheap quotation)?
None of the above surely - Baumbach I'm sure digs Godard but the point of that scene is the character being unable to relate to his own life in any way that isn't the cultural reference points he's based his self-esteem on; a Kevin Smith whose obsessions happen to be highbrow cinema and literature instead of comic books.
Reading the write-ups it's quite something to see how people like Chabrol, Truffaut, Rohmer were very much assimilated into the rest of the industry.
Don't know if this was so much about Godard "resisting" as it was about the filmmakers you cite being quite compatible with mainstream cinema from the get-go. Tirez Sur Le Pianiste aside (which always felt like Truffaut doing Godard to me) the late 50's/early 60's stuff I've seen by Truffaut, Chabrol, Rohmer is always quite narratively conventional in ways that Godard never was, even from the get-go. Not disputing that it must have seemed quite radical at its time, but as far as wanting a story with beginning, middle and end those three usually take care of that.
― Daniel_Rf, Wednesday, 14 September 2022 10:30 (one year ago) link
Rohmer was meant to be the most conservative of the nouvelle vague.
He was but in a quirky Rohmeresque way.
― Buckfast At Tiffany's (Tom D.), Wednesday, 14 September 2022 10:30 (one year ago) link
in general cahiers was very pro mainstream cinema! tho it was also re-orienting what the actual mainstream actually was
auteur theory isn't a leftist analysis (or better say: yes there's a leftist version -- film troupes as collectives -- but our entire habit of declaring a film the act and consequence of a single director, which is largely their bequest, but nearly no one except for a brief moment in the late 60s and early 70s pursued the collective projects with any great political energy
it just struck me also that all the nonsense about "influence" and heirs/successors is part and parcel of the more reactionary reading of auteur theory lol: it tidies film-making into a hugely simplified and handily singleton-aggrandising structure which is quite false
did godard try to overthrow this structure? now and then maybe, much of the time probably not (as a shorthand it also benefits archivists and getting stuff funded benefits from personal branding as well as promoting it)
― mark s, Wednesday, 14 September 2022 10:40 (one year ago) link
"their bequest" ie the bequest to the critical world of cahier-think
― mark s, Wednesday, 14 September 2022 10:41 (one year ago) link
benefits archivists = who do we file the work under? the director
― mark s, Wednesday, 14 September 2022 10:42 (one year ago) link
Mainstream American cinema sure, mainstream French cinema tho? Bit skeptical of that claim.
Influence is frequently used within the context of genres, countries and industries - "the influence of spaghetti westerns on Japanese samurai cinema" and such - that largely bypasses any auteurist claims I'd say.
Of possible interest in this context:
"I find it useless to keep offering the public the 'auteur'" -- Jean-Luc Godard pic.twitter.com/XxatiRhzMj— biblioklept (@biblioklept) September 13, 2022
― Daniel_Rf, Wednesday, 14 September 2022 10:47 (one year ago) link
"Don't know if this was so much about Godard "resisting" as it was about the filmmakers you cite being quite compatible with mainstream cinema from the get-go."
All of them had an "American cinema" (or Hitch) thing with a twist. I haven't seen Breathless in a long time but I didn't feel it was more unconventional than Truffaut.
JLG went further and further away from them but he was still picking on an American pulp genre and attempting that twist up to "Made in USA"?
And then he had periods with no kind of normal film career.
― xyzzzz__, Wednesday, 14 September 2022 11:03 (one year ago) link
They were all huge US cinema geeks yeah but I think Godard was more blatant in wanting to add that twist you mention - even with A Bout De Suffle the jump cuts and digressive conversations, as well as the use of music make it harder to approach than Truffaut imo, tho yeah it's the most accessible Godard for sure. With the others the twist was as much about cultural context and sensibilities I think.
― Daniel_Rf, Wednesday, 14 September 2022 11:10 (one year ago) link
Influence is frequently used within the context of genres, countries and industries - "the influence of spaghetti westerns on Japanese samurai cinema"
never to say anything concrete or consequential tho (bcz it always just smooshes wildly different elements together and enforces generalisations that require you to overlook differences and also reasons) -- it's a pretend and a mystical machinery which we invoke when want not to think abt how making a film (or a whatever) works
it's just an extremely bad dumb word, stop using it: work out what you actually mean and say that instead! use good writing instead of bad writing!
― mark s, Wednesday, 14 September 2022 11:19 (one year ago) link
You're taking this word, influence, something that clearly exists--I believe famous books have been written about how troublesome it can be for people who create art--and trying to minimize it or write it out of existence because it offends your sensibilities.
You know, I contributed to A Hidden Landscape, and you're giving me a hard time here. I want my money back.
― clemenza, Wednesday, 14 September 2022 11:24 (one year ago) link
I wish you luck in influencing writers not to use it in their work going forward.
xpost
― Daniel_Rf, Wednesday, 14 September 2022 11:24 (one year ago) link
i've read those books! harold bloom makes it an agon -- a problem, a fight, a fear -- as a way to dig into interesting and concrete detail of how poems connect to each other!
his map of the connectivities he favours is super-weird mind you
sorry clemenza, i don't mean to give you a hard time (and thank you for yr contribution) -- i like that you're explaining godard to ppl who never heard of him and hunting for better ways to do it. mainly when ppl use this word i am trying to say "ok what do you mean by it" and yes i then get a little goad-y and impatient when all i get is swerving and "shut up! everyone knows what it is! i will never be concrete!"
reynolds played the "haha good luck influencing ppl" on me on twitter a while back which i took this up with him: the word he was actually looking for was "persuading" of course but smooshing ever is the order of the day in this conversation
― mark s, Wednesday, 14 September 2022 11:35 (one year ago) link
seems like there's a big tension here between conservative = which candidate you vote for vs conservative = pays attention to the art of the past, cares about it, curates it, takes lessons from it but doesn't (necessarily) imitate it
Truffaut adapting Henry James, Rohmer calling a film series "Six Moral Tales." Bogdanovich a (slight) stateside example.
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 11:35 (one year ago) link
(xpost) We're not that far apart here. It's just an entry point, and yes, you then go on to figure out how those influences were transformed and made new. Seeing Godard as just a checklist of Ford and Ray and Renoir, etc., wouldn't be very interesting or illuminating.
― clemenza, Wednesday, 14 September 2022 12:32 (one year ago) link
Schrader on Godard. pic.twitter.com/I1ldtpSgFO— The Film Stage 📽 (@TheFilmStage) September 14, 2022
― Chris L, Wednesday, 14 September 2022 12:42 (one year ago) link
Show business is snow business.
― Jean Arthur Rank (James Redd and the Blecchs), Wednesday, 14 September 2022 13:44 (one year ago) link
Benning on Godard pic.twitter.com/9YiJkuWoSC— Diego Cepeda (@untrenoculto) September 13, 2022
― xyzzzz__, Wednesday, 14 September 2022 14:50 (one year ago) link
I heard the same thing about his scripts elsewhere.
― Jean Arthur Rank (James Redd and the Blecchs), Wednesday, 14 September 2022 14:54 (one year ago) link
Which films should I watch and in what order to find about Godard as a director? Under consideration: Weekend, Vivre sa vie, Pierrot le fou, La Chinoise, ...
― youn, Wednesday, 14 September 2022 16:24 (one year ago) link
The middle two there are probably as good as anything as introductions, from what I've seen. Masculin, feminin and Breathless up there too.
― Bait Kush (Eric H.), Wednesday, 14 September 2022 16:29 (one year ago) link
If you watch Weekend first, you may jump out the window after the Bronte sequence.
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 16:30 (one year ago) link
By all means watch it, but maybe fourth after PLF, Breathless, Masculin, Vivre sa vie, and Band of Outsiders.
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 16:32 (one year ago) link
(guess my math was wrong lol)
I've seen Breathless but should probably watch it again. Are there any American or French films I should watch before or after Breathless? Please disregard this question if irrelevant. Was Elevator to the Gallows influenced by Breathless? (sorry mark s) Will watch others suggested ...
― youn, Wednesday, 14 September 2022 16:34 (one year ago) link
if you watch la chinoise first think of it as an affectionate but alsoquite sardonic portrait of the very extremely on-line
― mark s, Wednesday, 14 September 2022 16:41 (one year ago) link
except these people wear such pretty clothes
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 16:42 (one year ago) link
Elevator To The Gallows came a year or two before Breathless.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Wednesday, 14 September 2022 16:44 (one year ago) link
Yes, I was just fact checking and about to report.
The photos for La Chinoise make me think of APC.
― youn, Wednesday, 14 September 2022 16:46 (one year ago) link
i was a huge fan of une femme est une femme in college, the musical without music aspect of it made it click much more immediately than breathless, though maybe i'd find the gender politics abhorrent now
i saw weekend probably earlier than i should've too but it's a staggering experience so i loved it. made in usa the only early godard that was too obtuse for me, i should rewatch it tho
― flamenco drop (BradNelson), Wednesday, 14 September 2022 16:47 (one year ago) link
nobody's mentioned alphaville, so i will.
― koogs, Wednesday, 14 September 2022 16:51 (one year ago) link
As someone who didn't connect for years, I'd recommend starting with Band of Outsiders, Masculin Feminin, and Vivre sa vie. They're all very accessible. I'd save the later work for later.
― clemenza, Wednesday, 14 September 2022 16:55 (one year ago) link
Yes, I should rewatch Alphaville and consider his comment about black and white on that Dick Cavett interview. I vaguely remember a fan and a disembodied voice. Did the French write science fiction? The English seem to have written a lot.
― youn, Wednesday, 14 September 2022 16:58 (one year ago) link
Masculin Féminin has the usual ah-women-are-strange-creatures attitude one gets from these nouvelle vague dudes.
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 17:03 (one year ago) link
Yeah like a lot of sexist directors Godard gets better than he deserves from his female leads.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Wednesday, 14 September 2022 17:14 (one year ago) link
Jules Verne wrote some stuff
― Piven After Midnight (The Yellow Kid), Wednesday, 14 September 2022 17:18 (one year ago) link
Rohmer in this period comes off better. The women stare blankly when these men prattle about Jansenism or whatever.
― Malevolent Arugula (Alfred, Lord Sotosyn), Wednesday, 14 September 2022 17:24 (one year ago) link
the bits that haunt me, from the ones I've seen, are anna karina looking straight at the camera
am hoping film4 do a tribute season
― koogs, Wednesday, 14 September 2022 18:13 (one year ago) link
Went pretty well. I didn't dwell on influence; talked instead about something suggested upthread, how hard it might be for them to understand how central movies were to everything in the '60s and '70s. They were quiet and attentive as the clips played (Band of Outsiders dance, Hal Hartley dance, coffee cup in 2 or 3 Things)--that's a start. With someone like Godard, I'm happy to get even a couple of them talking, and--with a little spoon-feeding--one girl said she could see the universe forming in the coffee cup. Also, later, I played Aaron Judge's two home runs. A well-rounded education.
― clemenza, Wednesday, 14 September 2022 22:01 (one year ago) link
(I guess in playing the Hal Hartley clip, I did dwell a bit on influence--mostly I just love that scene.)
― clemenza, Wednesday, 14 September 2022 22:04 (one year ago) link
tbh i think it's cool that kids that age get to learn anything about movies at all
― feudal vague (Noodle Vague), Wednesday, 14 September 2022 22:38 (one year ago) link
I wish when I was a kid I could have been a student in your class, clemenza
― Dan S, Wednesday, 14 September 2022 23:00 (one year ago) link
For real. Speaking of cool, are there any academic courses out there about the History of Cool? I feel like Godard would factor into it.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Wednesday, 14 September 2022 23:01 (one year ago) link
Appreciate that. They'll surprise you sometimes by what you can get them interested in, even 3s and 4s.
― clemenza, Thursday, 15 September 2022 00:11 (one year ago) link
(xpost) There's that John Leland book, Hip: The History, but I think it's entirely American-focused.
― clemenza, Thursday, 15 September 2022 00:23 (one year ago) link
The '60s were fascinating for the ways American cool got reflected back from all over.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Thursday, 15 September 2022 00:48 (one year ago) link
I made these GIFs for the "Three Frames" thread a shocking 17 years ago:
http://i13.photobucket.com/albums/a280/HansHolbein/01.gifhttp://i13.photobucket.com/albums/a280/HansHolbein/24.gif
http://i13.photobucket.com/albums/a280/HansHolbein/MF1.gifhttp://i13.photobucket.com/albums/a280/HansHolbein/MF2.gifhttp://i13.photobucket.com/albums/a280/HansHolbein/MF3.gif
― Hans Holbein (Chinchilla Volapük), Thursday, 15 September 2022 05:47 (one year ago) link
I have such vivid memories of my first Godard viewings in the middle of the vast Canadian prairies. One of the better local video stores had Breathless and Contempt, so those were my first two. My university had a 16mm print of Masculin-Feminin and I got to sit in a little booth and watch it on some sort of mini-projection viewing contraption. Later borrowed a VHS of Alphaville from a film professor, but I wasn't allowed to take it home so I sat in an empty classroom and watched it. When it ended I rewound it and watched it again.
― Hans Holbein (Chinchilla Volapük), Thursday, 15 September 2022 05:57 (one year ago) link
there are a couple of later films available to watch in the list ned posted here
Non-Criterion Boutique Home Video Discussion (Kino, Warner Archive, Arrow, Indicator, Vinegar Syndrome, Code Red, etc.)
― koogs, Thursday, 15 September 2022 06:14 (one year ago) link
but now that i try them, neither play for me in the uk, but you might have better luck.
― koogs, Thursday, 15 September 2022 06:19 (one year ago) link