So, Does Everyone Hate Cass McCombs?

I’m correct in thinking he was the guitar player for some tracks on catacombs right? Remember looking at the liner notes a while ago. If it’s him that plays that solo on harmonia then he’s got all my love.

I don’t think he plays on Catacombs, but o could be wrong. Wikipedia doesn’t list him among the personnel but I don’t have the actual liner notes to refer to.

― sctttnnnt (pgwp), Friday, July 28, 2023 10:08 AM (eighteen minutes ago) bookmarkflaglink

Blake toured with Cass in 2009/10, so right around Catacombs, but according to discogs, the only album he's on is Mangy Love.

Last album was super slept on. Maybe my favourite of his in the past decade.

I don’t take wits end as anymore understated/subtle/ than catacombs. Though yeah maybe it’s slightly more difficult due to being a more claustrophobic album (the middle two tracks of harmonia and the executioner’s song bring a lot of fresh air to Thats combs which wits end doesn’t really have). Part of why catacombs is my favourite is it’s pacing, it’s such a well layed out journey. I actually think of catacombs as more subtle as it’s doing most of what wits end does (in its creation of a mood), but with more conventional musical forms.

The executioner’s song also one of my personal favourites this year

I voted for Heartmind pretty high but unfortunately no-one else on ILM did. "Karaoke" is such a beautiful song. I really love "Estrella" from Tip of The Spheres too which is another totally slept-on album of his. As is Mangy Love from 2016! There's a lot of soul stylings on that one that really work well. It took me a while to come around to Wit's End. Its pretty dark and one-note. I'm in agreement with most here that Catacombs is his classic.

https://www.youtube.com/watch?v=X2FM4zuAlNI

Cass has always been an incredible vocalist, and I knew the bridge of this song was incredibly difficult vocally, but seeing someone else try it really gives some context to how much he kills it.

Perfect song for a harp cover too!

I do think that his vocal melodies really toned down after around Catacombs by and large. His vocal delivery approach narrowed and lots of songs ended up sounding kinda samey as a result.

Windfall is the polar opposite of that problem, as demonstrated there

On the other side, windfall has always bordered on the offensively saccharine for me. I still love the song because its really the only saccharine song in his discography, so its worst qualities are balanced out by the rest of the work (I think I'd have no time for this song by anyone else). His wide vocal stage were definitely still there for Wit's End. County Line, Memory Stain (a top 5 Cass melody), buried alive/the lonely doll/hermits cave/pleasant shadow song.... so really everything besides a knock upon the door and saturday's song.

Windfall also has to be one of his only songs with a third section! It's normally always either A or A-B. Amazing how much putting a bridge in a discography without them makes the song sound completely out of character. The more time I spend with Cass's music, the more I grow to love his "one section repeating over and over" songs more

A return to a wider vocal range on his new album too. Love the vocal harmonies on Karaoke. The wandering, where the hell is this melody going? vocal lines on Music Is Blue. Every track is interesting vocally, it's the instrumentation and production that I haven't fell in love with on Heartmind (except for Karaoke, a cracker track)

enjoy reading your thoughts

I never considered Cass a strong singer, in the sense that his vocals seem a bit fragile or... well, they're very understated... but they work perfectly, live too

can't put a finger on the instrumentation, my favorite from Heartmind is A Blue, Blue Band