Pickers: a catchall thread for modern bluegrass, nu-old-time music, rootsy americana string bands, etc.

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Gotta throw out a mention of my buddy Devon, a fantastic young banjo player. Killer baritone voice too. Great guy.
https://www.youtube.com/watch?v=LZHqcdU_rAs

ian, Tuesday, 26 September 2023 22:01 (seven months ago) link

Everybody needs to listen to Summer Dean

"She's In His Arms But I'm In The Palm Of His Hand"
https://www.youtube.com/watch?v=PJ_hFtAIw4g

Tracer Hand, Tuesday, 26 September 2023 22:12 (seven months ago) link

Is her throwback sound better than others who are also singing old school style country? She does it well.

curmudgeon, Wednesday, 27 September 2023 16:29 (seven months ago) link

Veranda are a Mom & Pop operation, with just the right helpers (guests x regulars always tight x fluid): Quebec Francophone originals with French airs further lifting bluegrass and old-timey. Results don't usually make me think "Cajun," but Arcadian refreshment out on the front porch, yeah. They've got a bunch here, but so far I'm totally detained by the latest, L​à​-​bas:https://verandamusic.bandcamp.com/album/l-bas
One of their colleagues is banjoist Guy Donis, and given the title of Guy Donis & The Montreal Bluegrass League, I was hoping for more like this, but nope, it's just good strong American-associated tradgrass-folk, with "Deep Ellum Blues" etc. stirring the jar:https://guydonis.bandcamp.com/album/guy-donis-the-montreal-bluegrass-league

dow, Wednesday, 27 September 2023 17:53 (seven months ago) link

More originals with arresting use of trad elements: singer-songwriter-flatpicker Molly Tuttle's aptly titled Crooked Tree, with some twisted plots and relationships flying through grassy tunes played by heavy hitters, also mellower trips like her childhood memories of Daddy taking her to Cali situations involving for instance "dawg music" of Grisman.

Speaking of whom, he is, without showboating, romping all over 2022 reissues of Hazel Dickens & Alice Gerrard's 1965 debut, Who's That Knocking?---along with

Chubby Wise, arguably the architect of bluegrass fiddling...and Lamar Grier, who played banjo as a member of Bill Monroe’s Blue Grass Boys in the 1960s.
---and follow-up Won't You Come and Sing For Me?, where Grisman and Grier are joined by fiddler Billy Baker, with guest shots of Mike Seeger and Fred Weisz.
Hazel plays bass, Alice guitar and some clawhammer, while they sing with such fearless vitality that even the darkest, potentially dankest down-in-the-holler undertow is fun.
They sing it all straight, mind you, while never changing pronouns, never kissing ass, and eventually playing a lot of women's music festivals, incl. where no men were allowed. ("We still didn't get it.")
Good enough variety too, with a bit of Applachian swing and some bluesier things, incl. one nocturnal prowl that makes me think of "St. James Infirmary" and Kurt Weill, accompanied by Mike Seeger's processional guitar.
https://hazeldickensandalicegerrard.bandcamp.com/album/whos-that-knocking
https://hazeldickensandalicegerrard.bandcamp.com/album/wont-you-come-and-sing-for-me
Both albums (which I somehow like better sep, in their original running order),plus a good previously unreleased track and essays by H., A., their producer Peter Siegel, and Laurie Lewis, comprise Pioneering Women of Bluegrass: The Definitive Edition.
https://hazeldickensandalicegerrard.bandcamp.com/album/pioneering-women-of-bluegrass-the-definitive-edition

I haven't played the earlier reissue of Rounder Records' 1973 Hazel and Alice yet, but bow bad could it be?
https://hazeldickensandalicegerrard.bandcamp.com/album/hazel-alice

And this is real freaking good, from 2018:

set of newly unearthed recordings, Sing Me Back Home: The DC Tapes, 1965-1969, out September 21 on Free Dirt Records. Sourced from Alice's private archive and digitized with help from the Southern Folklife Collection at UNC Chapel Hill, the recordings invite us to witness the creative process of these towering figures—just two voices and a handful of instruments working out arrangements at home. Across 19 tracks the duo sings the classic country of The Carter Family, The Louvin Brothers, and Jimmie Rodgers; contemporary hits of the 1960s penned by Dolly Parton and Merle Haggard; and barn-burning traditional standards that blur the line between old-time and early bluegrass. Sing Me Back Home is a raw, unfiltered listen to Hazel & Alice at the height of their collaborative energy.

https://hazeldickensalicegerrard.bandcamp.com/album/sing-me-back-home-the-dc-tapes-1965-1969

dow, Wednesday, 27 September 2023 21:27 (seven months ago) link

My parents have the 1973 Hazel and Alice and of course it's great. Thanks for these links, I didn't know about all these reissues.

Tracer Hand, Wednesday, 27 September 2023 21:35 (seven months ago) link

As entertainment anyway, don't know that I've taken in any ideas beyond that in his yarns. If so, they went in one eye and out the other.
Although I can't help missing Bradbury and even ER Burroughs, most of the new retro Old Mars is Big Red Fun, as concisely described here:
https://en.wikipedia.org/wiki/Old_Mars

dow, Wednesday, 27 September 2023 22:13 (seven months ago) link

Welcome! I covet your parents' album. Also: Alice's Hiss Golden Messenger-produced Follow The Music, from 2014, when she was 85---here with a lot of others I haven't heard yet, incl advance tracks from Sun To Sun, which comes out Oct. 20!
https://alicegerrard.bandcamp.com/music

dow, Wednesday, 27 September 2023 22:24 (seven months ago) link

I *have* heard Follow The Music, and dig it. Some more originals w trad elements.

dow, Wednesday, 27 September 2023 22:26 (seven months ago) link

six months pass...

I think this is my favorite track:
https://www.youtube.com/watch?v=Yd-Z16tga10

longtime caller, first time listener (man alive), Wednesday, 17 April 2024 01:22 (two weeks ago) link


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