Bob Dylan: The Bootleg Series

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The only outtake I know from the xpost Desire sessions: another reminder of how crazy he can be, to leave songs/tracks this good in the can, man, esp. considering some of the stuff that did make the cut---I like Maria Muldaur's cover even better:
https://www.youtube.com/watch?v=cv_ERkjVej8

dow, Tuesday, 26 December 2023 04:05 (four months ago) link

^^The Dylan version of that one is on the first bootleg set, alongside "Catfish", which he gave to Rolling Thunder accomplice Kinky Friedman. "Abandoned Love" (which the Everly Bros. covered in the '80s) appeared earlier on Biograph, and another song called "Rita May" appeared earlier still on the live "Suck Inside of Mobile..." single in '76 (and inspired a cover by Jerry Lee Lewis in '79).

an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Tuesday, 26 December 2023 04:30 (four months ago) link

It's interesting that all the known surviving Desire outtakes all had notable contemporary-ish covers.

an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Tuesday, 26 December 2023 04:33 (four months ago) link

“Abandoned Love” is a cool-ass song

Imagine writing a tune like that, and lyrics like this, and it doesn’t even make the album!

Larb starter (morrisp), Tuesday, 26 December 2023 04:51 (four months ago) link

Oh, and then there's "Seven Days", which appeared briefly during the Rolling Thunder tour with a live take appearing on the first Bootleg box.

an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Tuesday, 26 December 2023 04:53 (four months ago) link

Imagine writing a tune like that, and lyrics like this, and it doesn’t even make the album!

...and furthermore only playing it live once before taking it into the studio...and then never ever playing it again!

an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Tuesday, 26 December 2023 05:05 (four months ago) link

Thanks for all that! Because of the Jerry Lee-style "To Be Alone With You," I'd thought "Rita May" was from the Nashville Skyline sessions---always enjoyed JL's version(s)(studio/live).
I knew "Abandoned Love" was in the early-middle 70s, didn't know it was from Desire---here's the best audio of that impromptu live performance I've heard:
https://www.youtube.com/watch?v=qNeZVC2sn4A

In case that goes away, dig poster Swingin' Pig's notes, incl quotes, especially:

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Nov 20, 2018
Some Dylanologists say this is Bob's best live performance. Although I personally don't think it's his very best, I can understand why some think so. It's a positively breathtaking moment of his career. Furthermore, the song itself if probably one of my favorite Dylan songs. In my opinion, it was a huge mistake to leave off Desire.

There are a lot of versions on YouTube, but I thought they were all very bad quality; the hiss in the background was unbearable. I ripped this version off of a bootleg disc, then cleaned up the lossless audio as best I could.

Here's a very interesting account by Joe Kivak of the night it was recorded at The Other End (now The Bitter End), a little club in Greenwich Village:

"On a Thursday night in July 1975, I headed out to see Ramblin' Jack Elliott at The Bitter End in New York City. Because I wanted to learn his technique, I got there early enough to get a seat near the front so I could watch him play guitar. After the first set, a P.A. announcement told us we were welcome to stay for the second set if we honored the two-drink minimum. As the lights flashed on and I got up to leave, I glanced around the club and was stunned to see Bob Dylan seated toward the back with Jack, wearing the same striped tee shirt and leather jacket he had on in a photo with Patti Smith on the cover of the then-current Village Voice.

Naturally, I sat right back down. There was absolutely no way I was leaving at that point. Soon, others began to notice him, too, so Jack and Bob left their seats and went backstage. But when the engineer set up another microphone, we knew Bob was going to sit in. The electricity in the room was tangible as the club began filling up with more bodies. Finally, Jack came out and started his set. After a couple of songs, he began "With God on Our Side." After the first few lines, he turned his head toward the back of the stage and said, "Bob, you want to help me out on this?" The place went nuts as Dylan walked onstage. I can still see that shy look on his face as he nervously squinted out into the audience. He was so nervous, in fact, that he didn't notice that the capo on his guitar was crooked and buzzing badly.

Their first song was "Pretty Boy Floyd," with Bob singing harmony and his guitar buzzing right along. Then Jack started "How Long Blues." After the first verse, he looked at Bob in a way that seemed to ask him to sing a verse. Bob simply shook his head and mouthed something inaudible. When the song finished, however, Dylan began strumming his guitar. But since it was still buzzing, he asked Jack to trade instruments with him [this can be heard in the video at . At that moment, everyone in the room was in a trance; it's not every day one gets to hear an impromptu Bob Dylan performance in a tiny club. After a couple of lines, we realized he was performing a new song, with each line getting even better than the last. The song was "Abandoned Love," and it still is the most powerful performance I've ever heard.

Ramblin' Jack started strumming along in the beginning, but he soon realized the rarity of the moment and stopped and stepped to the side. As Bob sang, the nervousness so evident earlier vanished completely. He was so moving. There he was, hitting us with new material, with everyone hanging on his every word. It was an incredible feeling to be in that small club listening to Bob Dylan perform a new song. We all felt we were watching history in the making. After he finished, he returned to his seat near the back of the club and quietly watched the rest of the show. Jack appeared so speechless and overwhelmed by Dylan's performance that he started his next song with Bob's buzzing guitar.

Later, as we began filing out into the night onto Bleecker Street, we could see Bobby Dylan through the outside windows, leaning over his table and deep in conversation with someone, the candle in front of him highlighting his face. It's a moment I'll never forget."

Enjoy this gem while you can!

dow, Tuesday, 26 December 2023 05:36 (four months ago) link

And speaking of xpost going back to the beginning for the end of The Bootleg Series, here's another Swingin' Pig

https://www.youtube.com/watch?v=h1ZlUjQ2bQ0

As promised, here is the complete "Minnesota Party Tape 1961", a mysterious bootleg with a colorful history. It shouldn't be confused with the "Minnesota Hotel Tape" (also recorded at Beecher's home but several months later) or the "Minnesota University Tape" (recorded a year earlier). However, these tapes go by many different names, so I recommend you look over Olof's files if you're interested in Dylan's timeline: http://www.bjorner.com/DSN00020%20196.... According to his database, this tape was recorded at an unidentified coffee house at Minneapolis, MN in May 1961.

Below is a tracklist with timestamps, and below that is an amazing backstory about "Bonnie, Why'd You Cut My Hair?" told by Jaharana Romney (wife of Hugh Romney/Wavy Gravy), formerly Bonnie Beecher, the subject of this song.

TRACKLIST:
0:00 - Ramblin' Round (W. Guthrie)
4:15 - Death Don't Have No Mercy (G. Davis) [Amazing rendition, wish he finished it]
6:40 - It's Hard To Be Blind (trad.)
9:35 - This Train Is Bound For Glory (B.B. Broonzy, arr. by W. Guthrie)
12:50 - Harmonica solo [Fun little jig to wake you up in the morning]
16:44 - Talkin' Fish Blues (W. Guthrie)
22:56 - Pastures Of Plenty (W. Guthrie) ["I learned this from Woody", Dylan says, referring to his meeting with him in January 1961. Can't tell what he says after that--Can anyone transcribe it?]
29:05 - This Land Is Your Land (W. Guthrie)
33:00 - Two Trains Runnin' (M. Morganfield)
36:14 - Wild Mountain Thyme (trad.)
39:00 - Howdido (W. Guthrie)
40:45 - Car, Car (W. Guthrie)
42:55 - Don't Push Me Down (W. Guthrie)
44:37 - Come See (W. Guthrie)
47:09 - I Want My Milk (W. Guthrie)
50:17 - San Francisco Bay Blues (J. Fuller)
52:57 - A Long Time A-Growin' (trad.)
57:32 - Devilish Mary (B.L. Hawes)
59:13 - Railroad Bill (trad.)
1:03:26 - Will The Circle Be Unbroken (A.P. Carter)
1:04:30 - Man Of Constant Sorrow (trad.)
1:07:40 - Pretty Polly (trad.)
1:13:12 - Railroad Boy (trad.)
1:16:00 - James Alley Blues (R. Brown)
1:19:35 - Bonnie, Why'd You Cut My Hair?

"He came to my apartment and said, 'It's an emergency! I need your help! I gotta go home an' see my mother!' He was talking in the strangest Woody Guthrie-Oklahoma accent. I don't know if she was sick, but it was an unexpected trip he had to make up to Hibbing and he wanted me to cut his hair.' He kept saying, 'Shorter! Shorter! Get rid of the sideburns!' So I did my very best to do what he wanted and then in the door come Dave Morton, Johnny Koerner, and Harvey Abrams. They looked at him and said, 'Oh my God, you look terrible! What did you do?' And Dylan immediately said, 'She did it! I told her just to trim it up a little bit but she cut it all off. I wasn't looking in a mirror!' And then he went and wrote that song, 'Bonnie, why'd you cut my hair? Now I can't go nowhere!' He played it that night in a coffeehouse and somebody told me recently that they had been to Minnesota and somebody was still playing that song, 'Bonnie, Why'd You Cut My Hair?' It's like a Minnesota classic! And so I've gone down in history!"
~Jaharana Romney (Bonnie Beecher)

"Bonnie, Why'd You Cut My Hair?" is one of the earliest recorded Dylan originals, only preceded by a few tracks recorded from 1958-1960.

Credits to Olof Björner for information and backstory.

Peace & Love,
~SP

dow, Tuesday, 26 December 2023 05:44 (four months ago) link

two months pass...

As speculated: “Sony Entertainment this year will be releasing a box set of 1974 Dylan/Band tour concerts.”

Per Harvey Kubernik: https://www.musicconnection.com/kubernik-robbie-robertson-testimony-autobiography/

birdistheword, Thursday, 21 March 2024 06:25 (one month ago) link

I forget which Dylan thread gets used the most. Here’s drummer Jon Wurster re 2 recent Dylan gigs he saw , and Dylan on the St Patrick’s Day show doing a song he hadn’t done live in 20 years . An Irish folk song

https://www.flaggingdown.com/p/notes-from-the-road-in-north-carolina

curmudgeon, Thursday, 21 March 2024 15:48 (one month ago) link

I think the “Overrated” thread is most used for general purposes…

let’s get intertwined (morrisp), Thursday, 21 March 2024 15:55 (one month ago) link

Is there a Dylan site, comparable to Sugar Mountain for Neil Young, which documents the performance history of all songs? I know about boblinks.com but it doesn't go into that level of detail.

lord of the rongs (anagram), Thursday, 21 March 2024 16:00 (one month ago) link

the official site!

Lavator Shemmelpennick, Thursday, 21 March 2024 16:24 (one month ago) link

Thanks, I'd never have thought to look there...

lord of the rongs (anagram), Thursday, 21 March 2024 16:29 (one month ago) link

Setlist.fm also has Dylan concert information

Irish folk song “The Roving Blade”

https://www.setlist.fm/stats/songs/bob-dylan-1bd6adb8.html?songid=5bcf6314

curmudgeon, Thursday, 21 March 2024 19:11 (one month ago) link

https://www.flaggingdown.com/p/guitarist-jj-holiday-talks-bob-dylans

Guitarist Jj Holiday and the bassist and drummer of the Plugz rehearsed a bunch with Bob Dylan 40 years ago and backed him on David Letterman. Holiday talks about the experience in this long q and a

curmudgeon, Saturday, 23 March 2024 19:52 (one month ago) link

You should post that to this thread as well: Bob Dylan's punk period

let’s get intertwined (morrisp), Saturday, 23 March 2024 20:11 (one month ago) link


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